Sebelah

Ohyaku is a grifter who falls in love with a thief, who recruits her for his plan to rob a shipment of government gold. When this plan goes wrong and Ohyaku ends up in prison, she resolves to do anything to escape and claim revenge on the ones who betrayed her and her lover.

The Future Doesn't Need Us… Or So We've Been Told. With the rise of technology and the real-time pressures of an online, global economy, humans will have to be very clever – and very careful – not to be left behind by the future. From the perspective of those in charge, human labor is losing its value, and people are becoming a liability. This documentary reveals the real motivation behind the secretive effort to reduce the population and bring resource use into strict, centralized control. Could it be that the biggest threat we face isn't just automation and robots destroying jobs, but the larger sense that humans could become obsolete altogether?

Everything you always wanted to know about pornography (but were afraid to ask).

Morgana is a Mexican transgender opera singer with a dream: a sex reassignment surgery. We follow her odyssey all the way to Bangkok as she fights for the identity she has been struggling all her life to construct.

Chronicle of the daily activity of a newspaper called La Jornada. Through the events covered by the gossip columnist that occupy precisely the seventh page, a portrait emerges of different classes of Spain in the 50's and a vision of reality where facts are mixed comedy, police, emotional, dramatic and even tragic.

A young man's confusion in present times. The protagonist is looking for answers to questions that are relevant to many of his peers, coming of age in between a nostalgic socialist childhood and ideas pushed by a young democracy, relentlessly rushing forward.

A 30-something failed businessman moves into his grandpa's house, the defunct WW2 veteran. His quest to live up to his legacy, will redefine both the family hero and himself.

Adithya Varma, his wife Subhadra and daughter Kaveri live in the same compound where Sasi and his wife Parvathy lives. Sasi and Parvathi go to the office along with Varma. Kuttan Pillai, a gossip manager, does not like their relationship. He tries to drive a wedge between Varma and Sasi families. Varma asks his advocate to look for a man for his company. Advocate recommends Jayan, son of his friend for the job. Jayan is appointed in the company. Kuttan Pillai tells Varma's wife that it was not fair for Varma to go with Sasi and Parvathi. One day Parvathi come late from the office. A quarrel takes place between her and her husband on this account.

This 12-minute Brazilian short film employs the found footage style in a slightly different way. The film is presented as a merge of two separate files extracted from the police archives in Sao Paulo, Brazil. On the first one, two policemen talk to each other, while watching and analysing images captured by surveillance cameras that shows a woman being stabbed to death by a couple, just before the two aggressors get killed by a mysterious man that shows up at the place. The second portion of the movie shows the intriguing facts that happen during a police raid on the apartment where the suspect of killing the previous couple lives.

A teenager named Majid is making a 8 milimeter movie. Majid lends the money he had gathered to buy negative and he can't ask for it back because he's too shy. Then, the problems start.

Four forty-somethings each mired in some sort of mid life malaise reunite their 90's indie rock band.

Once a famed shadow puppet master, Ramlee now lives as a recluse in a Malaysian village terrorised by a man-eating crocodile. The arrival of a young Indonesian woman, Dewi, awakens old demons that refuse to stay hidden.

A young wild boy finds he must confront a hostile environment to recover his precious pot, but beware the wild beasts.

With this movie, Aurélien Gerbault invites us to know the portuguese filmmaker Pedro Costa and to witness the process of shooting of his movie Colossal Youth (2006). The nature of Costa's cinema is revealed to us: the criation of an intimate space in the hardness of reality.