Haven's End

Daniela and Fouad live in Gubbio, and they both come from the sea: she is from Bari, he is from Casablanca. Their bodies have suffered hardships and alcoholism. They met by chance and a deep and healing friendship was born, which led them to live together. Now that Fouad needs a permit to stay, marriage seems to be the easiest solution. Daniela agrees to it, but as the wedding approaches, the ambiguity of Fouad’s feelings begins to worry her. Can you fake- marry someone who really loves you?

Jason and the crew go on a leisure trip to a carnival, but are confronted by carnival barker Uncle Blobb and his diabolical interplanetary real estate scheme as he attempts to turn them into "Seeds of Discontent."

Sam is a 27-year-old music-teaching, sovereign ring-wearing, chanting Buddhist. He is the lead singer of an up-and-coming punk band - but he’s also mute ... at least for most of the time. After two unsuccessful vocal chord operations, Sam spends most of his time in pain and on voice rest. Yet, by communicating silently through writing notes, mouthing words and blowing kisses (one for yes and two for no), he still somehow manages to be the chattiest person in the room. As he sacrifices speaking on a daily basis in order to battle through the excruciating pain of singing, Sam finds himself and his voice at a crossroads - give up on his dreams of music or continue singing and risk remaining silent forever? Silence takes its mental toll and his sense of isolation deepens. Whilst exploring new treatment for his voice, navigating work at a door factory and maintaining his loving relationship with girlfriend Tilly, Sam’s journey leads him to have a radical revelation.

Ambient music by Schiller

As a young filmmaker who suffers from OCD, Lucas struggles with finishing his synopsis for a film that he had always dreamt of making. Despite his ambitions, Lucas can't seem to gather his thoughts and he worries that his work will not be the perfection that he undoubtedly desires. With overwhelming emotions and a lack of self-confidence, Lucas finds himself trapped in his own mind where he desires everything to go as planned but is instead faced with his fears and an altered reality that his mind presents to him.

A regiment of soldiers demonstrate their skills.

Chunauti is an action-packed romantic comedy that tells a story of love, struggle, and justice. Ajaya and his wife Prabha move to Kathmandu, where Ajaya starts working as a teacher. Later, his sister Gita joins them and enrolls in the same college. There, she meets a kind and charming student, but trouble arises when Madhav, a troublesome student, also starts liking her. One day, a fight breaks out in the college, and when Gita tries to stop it, an inspector arrives and brings the situation under control. Angered by this, Madhav and his group cause harm to Prabha and Gita. They also try to escape punishment through legal means. With no strong evidence, Ajaya takes a stand and challenges the court. In the end, he decides to take justice into his own hands, leading to a tragic ending where the inspector, fulfilling his duty, stops Ajaya. Chunauti is a story of love, courage, and sacrifice in the face of injustice.

Angelo Debarre meets his friends for a tribute to the culture of Travellers. Since Django Reinhardt, which is celebrated 100 years, until today, this rich music that thrilled several generations. His strength is always reinventing itself. This beautiful tribute takes place around the “fire” in a caravan decor (set created for the show). He is talking about the past and future by remembering the fabulous legacy of Django: spiritual father of gypsy jazz.

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

Bonus DVD for the album 'A Matter Of Life Or Death'

Greenland, the largest island in the world, is unlike any other country. The film recounts the exploration of the Inlandis cavities in Greenland during the summer of 1992. Janot Lamberton, one of the pioneers of these expeditions, ventured, with speleologists and mountaineers, into the moulins, these immense crevasses that tear through the back of the Inlandis, a vast glacier four times the size of France, while glaciologist Louis Reynaut studies infraglacial phenomena. It is obviously not easy to penetrate the depths of the ice and film at a depth of 150 meters in sub-zero temperatures. The light is blue in one of the most fascinating landscapes on the planet, where scientists and explorers collaborate to deepen their knowledge of the Earth.

At 14, Tajamul fled from Afghanistan to Amiens, France. Now that he is 20, he wants to make the journey backwards with his adoptive father, and tell his story for all the refugees who cannot speak anymore.

Solo from 'La sylphide' (1836), ballet by August Bournonville. Performed by Ellen Price (1878-1968), soloist from 1903. Ellen Price's dancing in Hans Beck's ballet 'The Little Mermaid' (1909) was the inspiration for Edvard Eriksen's statue of the same name (1911). (Stumfilm.DK)

George is a quiet man and is very, very humdrum, but he falls upon faith that will change his life forever.

A businessman who wants to be rich loses out on family and social life. He marries a girl who loves him only because she would prove profitable to his business. He realizes what he lost after the death of his mother.

Breathing is about the thin space between life and death. 34-year-old Neil Platt plans his own funeral, muses about the meaning of life and the impossibility of terminating a mobile phone contract. With 5 months left to live, and paralyzed from the neck down by Motor Neurone Disease, he ponders how to communicate about his life in a letter for his baby son. How can he anticipate what he might want to know about his father in a future he can only imagine?

Six escaped convicts and their female hostage make a desperate run for the Mexican border, where they stumble across a lost treasure of untold wealth, and find certain death instead on the Arizona desert.