The Moving-Picture Man

Jesús María Carmona is a small-time crook who poses as a cop so he can rob a bank. A few days before the day he planned to do it, a guerrilla group robs the same bank and Carmona is shot to death defending it when he has no other choice but to act as a policeman. Soon after, his image becomes a symbol for the police and he is honored, but his identity is found out. Meanwhile, in the neighborhood where he grew up his effigy is burned as he is now considered a traitor.

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

After the closure of a lace factory in Calais, Andrée, Lulu and Solange are out on the street.

Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.

A lonely man finds himself bedeviled by a malevolent force. But is it real or just all in his mind? (ALTER)

Frimley Park Hospital is a heartfelt story about family, resilience, and the importance of prioritizing health without delay. The film follows Rani and her brother Tom, who share a close bond. After returning to the UK from a Nepal holiday, Rani notices something deeply concerning about Tom: his skin and eyes have a yellowish tint, and he looks frail and exhausted. He's lost a staggering 15 kilograms in just a month and seems weaker by the day. Rani, alarmed and worried, insists on taking him to the Aldershot Health Centre to see a GP. The GP, recognizing the urgency of Tom's condition, immediately refers him to Frimley Park Hospital for further testing and treatment. Tom is admitted to the hospital for three weeks, where doctors diagnose him with a range of serious health conditions: jaundice, autoimmune hepatitis, gallstones, and an ulcer. The medical team informs Tom and Rani that his health is in a critical state, and his future is uncertain.

Several little boys run along a pier, then jump into the ocean.

Extraterrestrials contact earth in this delightful fable. Their message is "HELLO" in many languages, and there is a celebration.

In the mid-20th century, a troubled relationship between Germana, a young writer, and Quina, her aunt who lives in the northern Portuguese countryside. Feelings of jealousy, admiration and the complex magnetism between these two strong women arise.

Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.

Documentary about the milk farmer Bertil Nilsson

A lesbian private detective dives head first into murder, manipulation and the consuming power of sex.

“1-2-3” explores the harrowing tale of human trafficking in the country.

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.

Jurassic Fight Club, a paleontology-based miniseries that ran for 12 episodes, depicts how prehistoric beasts hunted their prey, dissecting these battles and uncovering a predatory world far more calculated and complex than originally thought. It was hosted by George Blasing, a self-taught paleontologist.

Marina finds herself on the previous days of her last piano concert that will change her life forever, continuing her studies in Germany, far away from her actual life. However, what nobody sees, blinded by the scholarship, is that the preassure is killing her and that it will drive her where to what a 17-year-old shouldn’t go.

In her forties, Juana is tired of working as a hairdresser. By chance, she discovers the crime of some clients and decides to blackmail them. But they have other plans, which include a wedding to cover up the crime and blame the groom.