Baccha Shoshur

Samir Mitra is an unemployed educated guy who is looking for a job. His father Abir Mitra is a retired person. Samir's mother is suffering from cancer. One day Samir suddenly meets Manik Chandra Sadhukhan. Manik's father is Niranjan Sadhukan, he is also ill. Latika is Manik's younger sister. Manik has come to Kolkata to meet his father's friend Chandrakanta Majumadar who is an established businessman. Manik meets with an accident on the way. Samir tries to save his life. Before his death Manik requests Samir to take care of his father and younger sister; he also tells Samir not to disclose the news of his accident. Manik gives Samir all required information. Samir becomes Manik; he meets Chandrakanta as Manik. Chandrakanta appoints him in his own office.

Mostly shot in San Francisco and Northern California, material filmed (using the camera almost as a p[r/a]inter, a means of shaping the visual world as film, but without reflection) in response to what that world was opening in me. "Material!" - analogies between weaving and spinning thread and images already a pattern within film history (e.g., in Deren) is here carried into further ramifications of unraveling and patterning in fabric- and cinema-making, as well as in personal and mythic dimensions. The open unfolding structure, which pulls away from the balanced design of much of my work, gives equal weight to the sound composition. Involves "opening" with its perils and ambiguities.

Documentary about Ajax Amsterdam in 1968.

Through a famous painting "South Street Festival", a Taiwanese college boy unexpectedly travels 100 years back in time, back to the 1920's, when Taiwan was under Japanese rule. He is stuck, he panics, he wants to return to 2014 but soon changes his mind, not just because of the prettiest geisha girl in town...

Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)

Valerie is a self-confident and modern woman - she commutes between L.A., where she works, and Berlin, where she lives with her partner above the rooftops of the city. When he falls ill and falls into a coma, she wakes up at his bedside. Valerie decides to return to L.A. one last time, burn all her bridges there and move to Berlin for good. She decides to record a video diary for her absence and begins to narrate for her loved one the day before her departure. Intended as simple messages of love, Valerie's memories are suddenly unleashed in the midst of the recordings. Playfully, she loses her shyness in front of the camera, her emotions burst forth and allow her to relive the story of her great love. What began as a game becomes a reckoning with life and love.

A love story of the 21st century. Hoping for change, Ema runs away from her family and leaves her husband. She hides at the apartment of her hairdresser, a gay guy Tony, even though she barely knows him. At the beginning they are merely two strangers, connected by their mutual effort of escaping from their families. They get closer and help each other to overcome the internal, as well as external, obstacles of their lives. Their liberating friendship almost becomes a love affair, despite the fact it cannot be fulfilled. This liberation creates an intense bond between them: a new escape, a new quest. This is a love story of two people and their attempts to escape the trap of their own desires of belonging to somebody.

Money talks. Teens in Los Angeles discuss money: getting it, spending it, and learning to live without it.

In high school, a boy and a girl are caught holding hands. The whole school is drawn into the resulting furore, with Kafkaesque results.

Although at first Ina barely takes any notice of Matti, the two teenagers gradually fall in love at their dance classes and begin their first real relationship. Their parents are upset about this development and try to prevent their children from seeing each other. But Ina and Matti continue to meet in secret and their first sexual experience together brings mixed feelings for Ina.

What happens when you come home to find your only friend lying dead on your mattress? What happens when your only friend... was a cat?

Whilst giving a bomb of a performance, a disgruntled Clown is thrown off by a loud-mouth Heckler.

The film begins with shots of the castles of Bezděz, Točník and Karlštejn. In a restaurant at Karlštejn the guests remind Hašler that he is performing at the Varieté club. Hašler misses the train so he starts walking along the main road in the hope of getting a lift. In despair he forces a car to stop and makes the chauffeur to drive backwards to Prague. They stop at the wharf but, because he misses the steamboat , he uses a motorboat. The rest of the journey is spent on a tram. Hašler then quickly changes his clothes in his flat he reaches the Varieté club across the rooftops.

The film revolves around a traditional Brahmin family and the fight between their beliefs and atheism.

This comedy takes place during a hot summer at a Greek island. We meet Stathis and his company and we watch as they try to get the attention of all kinds of beautiful foreign girls.

20 years after the murder of his parents, a man investigates the mysterious corporation responsible for their deaths.