Share My Boyfriend 14

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

After a night of drunken shenanigans, the friendship of three university students is tested when they find themselves in an unprecedented situation

The young lady-in-waiting of a millionairess is kidnapped, in her stead, by people who had an interest in the disappearance of the rich heiress. The girl is entrusted to a shady figure who has, for years, organized a special "hotel" where - in rigorous segregation - he holds prisoners the people entrusted to him by those who, for reasons of interest, have decreed their disappearance.

The fate of the entire hotel industry is at stake. A group of evil black ninjas have threatened to insinuate themselves into the industry, take over, and transform the operation into something unspeakable. Thank heaven the white ninjas are on hand to save the day. Agnes Chan heads the cast, so we assume she's the "ninja queen." This one isn't a whole lot better than others of its ilk, but at least there's some novelty in the settings.

Wrapping the audience in waves of sound, Alberi takes us on a circular journey through the Italian countryside. The marvelous natural music at the tops of the eponymous trees makes way for the rhythmic cadence of civilization—men baring axes and the natural clatter of daily life—before their unforgettable return home from the forest. The singular artistry of director Michelangelo Frammartino (Le quatro volte) is beautifully displayed in this mesmerizing homage to nature.

A wealthy playboy winds up getting himself involved with mobsters and a search for buried treasure.

The Pharmacist's house, the New System of Squares and the Pirrello house: three projects made for the town of Gibellina Nuova (Trapani, Sicily) by architects Franco Purini and Laura Thermes. A dialogue between three architectural projects: on fragmentation and accuracy.

A World War II farce that follows the antics of an ENSA (Entertainment National Service Association) group. Fresh from the music halls, they bumble their way from army camp to camp.

In this satire, a group of modern-day Americans are captured by a WW2-era Uboat, with a sinister cargo, bound for NYC.

Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.

A forensic investigator begins to suspect her new husband is the serial killer the police department has been hunting. This puts her and her ex-boyfriend -- a detective on the case -- in danger.

A young man comes to work to kolkhoz where no one knows that he has no experience whatsoever.

A musical, contemporary retelling of the Don Juan story only this time in a non-binary world.