The Man We Need

Keka is a beautiful young woman working in a call center. Wanting to hunt down the killers and avenge her boyfriend's death, she undergoes rigid training. Everything has been going well until she meets the guy who makes her fall in love again.

Marty's act is filled with actual events from his life. Everything he says is a true story based on something that either happened to him, his kids, or that he made up entirely. (Do we need to point out that this is sarcasm? Wow, even the parentheticals have sarcasm.)

In this epic two-part finale, the Doctor comes face to face with the mysterious Missy, and an impossible choice is looming. With Cybermen on the streets of London, old friends unite against old enemies, and the Doctor takes to the air in a startling new role.

Kabamaru is a young boy raised and trained by his grandfather as a ninja. After the sudden death of his grandfather, he starts living with Mai, his grandfather’s mistress, who is a school director. He is asked to help out on struggles against other schools, as he is master of the ninja mystical arts. As time passes he will make lots of friends as well as enemies, and fall in love with Mai.

Two brothers channel grief in different ways at their mother's funeral.

The bride left the main character, Alisher, and he became discouraged because of this. The hapless groom's best friends, Erla and Sanjik, decide to pull him out of his sadness by arranging an unforgettable vacation for him in a picturesque place. In nature, the guys get acquainted with two pretty girls, Carla and Zara, and events suddenly turn into incredible life-threatening adventures. Orla, Alish and their new friend Zara wake up early in the morning before dawn and discover that Karla and Sanjik are missing. And a couple of hours before that, late at night, Dawn received a strange video message, where a frightened Carla does not understand where she got to, Sanjik's voice is also heard. The friends go in search of Karla and Sanjik and end up with sectarians who are ready to sacrifice them for the sake of an ancient deity.

A short experimental cutup film by Jon Moritsugu.

"Trees and Jamaica Daddy" was the first of a UPA series (short-lived) that featured two different subjects (plot, characters)running about 3.5 minutes each, on a seven-minute reel. The first one here was titled "Trees", featuring a little girl named Hattie giving her version of the birds, the bees and trees. The second one on the reel was called "Jamaica Daddy", about the animated Hamilton Ham and his band, who tell all about, in music and the usual UPA animation style, Jamaica Daddy, and his family tree in calypso fashion. "Ham-and-Hattie" were not a team, and did not appear together in this cartoon.

This is animation after all and any kind of motion is possible, but there must be rules. For example, if a character in your story can't fly and then all of a sudden he can fly for no reason. As soon as something looks wrong or out of place, your audience will think about how weird that looked and you've lost them.

Upon waking up in a strange forest, a young man questions whether or not the environment around him is real or a figment of his imagination.

Romy and Peewee are teenage orphans in the Philippines with an unusual job; they loot the cemeteries and steal precious belongings left for the dead. The townspeople are fed up with their disrespect for the dead that a hefty reward awaits for their capture. Desperate to flee the town, the sail to a desolated island only to encounter a greater foe - THE UNDEAD, victims of contagious alien virus that were unleashed from an ancient meteorite discovered by the obsessed American Scientist named William Seabrook. Trapped on an island and left with nothing to defend themselves, the grave bandits must use their wits to battle the swarm of flesh eating ghouls!

Tale of an adventurer trying to rescue a damsel kidnapped by pirates.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

Camille is a composer going back to his homeland Lebanon to write a song about his country. Raya is looking for her lost son. They meet, fall in love, and discover the despair of the people of war-torn Lebanon.

A young boy must prove his masculinity to his father while he pines for a young man in the homophobic Guyanese countryside.

A Comedy about the only two guys left in Silicon Valley who have nothing to do with technology.

When two acrobats are fired for fighting with punks in the audience, they go to live with an aunt who's being pressured to sell her house for a real estate development. The developer's nasty son, Lee Fu, decides to muscle the sale, and soon he's at war with the acrobats, plus their unlikely ally, an American named John who used to be Lee Fu's friend. The acrobats open a kung fu school, the scene of several battles with Lee Fu's thugs. A fight to the death, jail time, auntie's surprise decision, a budding acting career, a possessive girlfriend, a debilitating injury, a friendship that needs recalibrating, and Lee Fu's avenger are all in the mix before the end.