Dark Meat 2

The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

A group of friends try to defeat an evil king, and meet some quirky characters along the way.

Box is a story of two people who meet at a crossroad. Two different destinies, two different lives, face to face in a game of sweat, blood and tears. Rafael (19) is a young boxer who dreams to conquer the world; Cristina (33) is a single mother who lost her balance. Two lives; one running very close to the earth, the other trying to fly high up, too high.

8mm film by Swiss artist Roman Signer.

With less than 9 hours left, a writer struggling with writer's block must find creative inspiration before it's too late.

Chunauti is an action-packed romantic comedy that tells a story of love, struggle, and justice. Ajaya and his wife Prabha move to Kathmandu, where Ajaya starts working as a teacher. Later, his sister Gita joins them and enrolls in the same college. There, she meets a kind and charming student, but trouble arises when Madhav, a troublesome student, also starts liking her. One day, a fight breaks out in the college, and when Gita tries to stop it, an inspector arrives and brings the situation under control. Angered by this, Madhav and his group cause harm to Prabha and Gita. They also try to escape punishment through legal means. With no strong evidence, Ajaya takes a stand and challenges the court. In the end, he decides to take justice into his own hands, leading to a tragic ending where the inspector, fulfilling his duty, stops Ajaya. Chunauti is a story of love, courage, and sacrifice in the face of injustice.

Victor and Valentino must learn to work together to survive an underworld labyrinth.

A golden-masked clan master, who had killed many top fighters, was determined to acquire an invincible sword manual so as to rule the martial world. Hence, he pursued a swordsman who possessed the manual, but the latter managed to escape and discovered a cave whereby he met two martial arts masters who taught him the invincible sword skills...

An unlucky Birthday boy must fight for his life against a masked psychopath.

Honey (13) is shy and lies about herself and her chaotic family, and generally finds it difficult to show who she is in her new class. She loves to play music – and is really good – just no one knows. Honey just wants a place in Liam's band Full Smash, so when she finds out that her dead, music-loving grandfather Marcel might not be dead at all, she decides to find him. Maybe he's just what she needs so she can finally learn to stand up for herself.

120 schoolgirls live in a Catholic boarding school for girls together with nuns, who teach them, but secular teachers are also employed here. Behind the conservative façade of decency, discipline and order, there are unsuspected sexual abysses.

The story of Tasmanian-born actor Errol Flynn whose short & flamboyant life, full of scandals, adventures, loves and excess was largely played out in front of the camera - either making movies or filling the newsreels and gossip magazines. Tragically he was dead from the effects of drugs and alcohol by the time he was only 50 & the myths live on. But there is another side of Flynn that is less well known - his ambitions to be a serious writer and newspaper correspondent, his documentary films and his interest in the Spanish Civil War and Castro's Cuba

Mostly shot in San Francisco and Northern California, material filmed (using the camera almost as a p[r/a]inter, a means of shaping the visual world as film, but without reflection) in response to what that world was opening in me. "Material!" - analogies between weaving and spinning thread and images already a pattern within film history (e.g., in Deren) is here carried into further ramifications of unraveling and patterning in fabric- and cinema-making, as well as in personal and mythic dimensions. The open unfolding structure, which pulls away from the balanced design of much of my work, gives equal weight to the sound composition. Involves "opening" with its perils and ambiguities.