Horrorscope

A tale about clichés, grandmothers, superheroines and villains.

Through new camera techniques never before attempted we are able to put your audience on the edge of their seats, gasping for breath through FEEL-A-VISION. Your audience will boast that in one night they were able to whip a young girl to her masochistic climax - feel the warmth of a young female hitchhiker's gratitude for giving her a ride - answer a voyeur's plea to endure his young wife's sensuous desires - be sucked into a back alley profession they only dreamed existed - be pulled into a religion that requires a witness to an act of awareness by two young female believers and finally to participate with them in the most bizarre rite of depravity - take pictures of a would be starlet in a celebrated model studio and for a few dollars more get exactly what they want - get anything they wanted from a young Mexican girl in trouble with the police in return for helping her escape.

TB is the most deadly infectious disease in history - it has killed over a billion people in the last 200 years. Multi-BAFTA winning film-maker, Jezza Neumann travelled to Swaziland to make this very intimate account of the crippling effects of MDR-TB. We witness victims from two families battle with the disease over the course of a year.

A mute phantom hero takes on skull-masked killers, a disembodied living hand and a corpse that won't stay in its grave. This is the first in a trilogy of horror/western hybrids that also includes the films La marca de Satanás ("The Mark of Satan") and La cabeza de Pancho Villa ("The Head of Pancho Villa").

In a world where society is controlled by a totalitarian regime and children are the tool of ideological formatting, Isa realizes that her child is different from the others and that this will bring consequences to her life.

Valerie is a self-confident and modern woman - she commutes between L.A., where she works, and Berlin, where she lives with her partner above the rooftops of the city. When he falls ill and falls into a coma, she wakes up at his bedside. Valerie decides to return to L.A. one last time, burn all her bridges there and move to Berlin for good. She decides to record a video diary for her absence and begins to narrate for her loved one the day before her departure. Intended as simple messages of love, Valerie's memories are suddenly unleashed in the midst of the recordings. Playfully, she loses her shyness in front of the camera, her emotions burst forth and allow her to relive the story of her great love. What began as a game becomes a reckoning with life and love.

With this movie, Aurélien Gerbault invites us to know the portuguese filmmaker Pedro Costa and to witness the process of shooting of his movie Colossal Youth (2006). The nature of Costa's cinema is revealed to us: the criation of an intimate space in the hardness of reality.

A story of good versus evil revolving around a young woman. When Angela is born to David and Sara they are full of joy but as she grows up, she proves to be more of a curse than a blessing. Angela herself is confused and is only sure of one thing ... she doesn't want the dark powers which she cannot control.

Chronicle of the daily activity of a newspaper called La Jornada. Through the events covered by the gossip columnist that occupy precisely the seventh page, a portrait emerges of different classes of Spain in the 50's and a vision of reality where facts are mixed comedy, police, emotional, dramatic and even tragic.

Some gnomes are searching for a wonderful spider that weaves webs of golden coins. Intent on their search, they are unaware that their movements are closely followed by a poor woodcutter, who also penetrates into their caves when they have caught the spider and imprisoned it there. He watches the wonderful spider making gold and other articles with wonder and in this scene the moving picture camera has excelled itself in turning out some good tricks, and finally he steals the golden spider. (Moving Picture World)

Griesenow, 2013: The hairdresser Marianne Voss is found dead in the forest by her daughter Heike. Shortly afterwards, her husband Karsten comes under suspicion of murder. But he protests his innocence.

Everything you always wanted to know about pornography (but were afraid to ask).

From the imagination of René Gilbert, "100 limit" was the first TV program made by the comedy group called "Powder Blue." Initially composed of Pierre Brassard, Richard Z. Sirois, JiCi Lauzon, Dany Laferrière and Yvon Landry, this team was going to skim the news at the end of 1988 and remodel so hilarious at late night newscasts a 30-minute Monday, Tuesday and Wednesday evening at a bulletin an hour Friday evening. The year two of this concept Dany Laferrière will leave the ship and new employees Tachereau Ghislain André Robitaille and Jacques Chevalier make their entrance and following the limited success of the first season, the show became a weekly which is presented every Friday evening. The show really takes off and quickly became a staple of humor Quebec waves. In 1991, TQS half sword budget and the issue ends up canceled. The company Distribution Select allows us to relive the great moments that have marked this show when the DVD "100 limit" appeared.

A regiment of soldiers demonstrate their skills.

Being a black filmmaker and creating films with a mostly black cast in an industry that rarely supports such work comes with challenges. This compelling documentary follows Sean Reid and Brian White as they

Money talks. Teens in Los Angeles discuss money: getting it, spending it, and learning to live without it.