Hombres de arena

Assassins put the intrepid and seasoned agent Morgan Garibay in a horrifying case that he will never forget, when he was involved in an intense love story with the beautiful and millionaire Estefanía Ballesteros.

A forgetful man gets into a heated situation

Strange Too - Another Violation by Anton Corbijn is the third music video compilation by Depeche Mode, featuring more videos directed by Anton Corbijn, released in 1990. Unlike the previous video, Strange, all the videos are fully in color. There are six videos, all songs from the album Violator, released in the same year. There is one for each of the four singles, plus two bonus videos, for "Halo" and "Clean", exclusive to "Strange Too". As with its predecessor, Corbijn shot all six videos in Super-8. The tallest woman in the "Halo" video is a young Jenna Elfman. The Drive-In featured in the introduction to the compilation is the "Motor Vu Drive-In", located in Erda, Utah, west of Salt Lake City, near the town of Tooele, this part of the video being shot the day after the band's concert in Salt Lake City in July, 1990.

The story is about some close friends who go to their friend's wedding. They go there and when they go to the bathroom, they find a stairwell and use drugs there. They take the groom (their friend) there and the groom.

A War of Hope is a 52min documentary for broadcast following the life of Roy McIvor as he recalls the forcible relocation of the Cape Bedford Mission during World War 2.

A comedy film with a commentary on contemporary corporations, their style of functioning, the people who make them, their idiosyncrasies, and finally a message that there is no such thing as a free lunch.

Aavas is a nepali music video about love

Tomoyo was the lover of Udo, a leading member of the Japanese mafia. When Udo disappears with a bundle of dirty money, she is a suspected accomplice. tomoyo is a woman who has always depended on men, and she often sleeps with them in order to survive. Yuki spent all her time around dangerous men, until her luck finally ran out. Beaten, raped and left in the trunk of a car, she ends up overhearing Udo as he assassinates his fellow mafia agents. Yuki is a woman who has always confronted men, and she often spills blood in order to survive. Thrown together by chance, Tomoyo and Yuki must work together, or die at the hands of the syndicate. They're always ready to love, always read to kill, and never ready to trust.

The presence and tortuous inner life of a film student stimulate the creativity of Jaime Humberto Hermosillo and promote the making of a film, Rencor. A combination of fiction and behind the scenes.

Mi-young, who has been notified of her farewell for her 10-year-old boyfriend due to her small breasts, leaves Yeong-do for her friend's love and Seokmo-do. Miyoung, who drank too much at the beach, heads to Donggyu for the first time and heads to a nearby pension. Dong-gyu shows interest in the love of apologizing instead of Mi-young, and when Love says that he wants to eat ramen, Dong-gyu heads to the pension to get a ramen and strikes Mi-young sleeping in bed. The next day, in the restroom's bathroom, Dong-gyu and Mi-young have a relationship, and the love that comes to know them hurts. Love and Mi-young, who have walked the road again, meet a man named Min-sung, and at the same time, they are courting against Min-sung...

Loose collection of individual portraits of the inhabitants of the Isle of Pinos [now Isla de la Juventud], who tell their stories, share ideas and discuss topics such as racism and crime.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.