Don't Text Back

During an extreme heat wave, a shy girl seeks refuge in an ice cream shop. But when she looks into the eyes of the charming vendor, she is on thin ice.

A regiment of soldiers demonstrate their skills.

A whale is hunted in the southern hemisphere by the crew of a sailing ship: it is harpooned twice, using a cannon, and taken back to the shore. In the second part, the whale is butchered at a whaling station. A lady with a parasol looks on, while in the background are the sailing ships used to hunt whales. These are excerpts from a 1909 film called "La Pêche à Baleine dans les mers du Sud" made by Jean Nédelec and cut down in the 1920's for the Pathé Baby home movie projector.

Griesenow, 2013: The hairdresser Marianne Voss is found dead in the forest by her daughter Heike. Shortly afterwards, her husband Karsten comes under suspicion of murder. But he protests his innocence.

David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.

After a big night, a girl wakes to find her self in bed with a regretful one night stand. She does what ever she can to escape without waking him up.

Film based on the life and patriotic activities of teacher Petro Nini Luarasi.

A young man's confusion in present times. The protagonist is looking for answers to questions that are relevant to many of his peers, coming of age in between a nostalgic socialist childhood and ideas pushed by a young democracy, relentlessly rushing forward.

The body of a missing teenager is “found”. Completed in under 24hrs and winner of, "Best Use Of Prop" at the Okotoks Horror Film Festival 2022.

Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)

The Future Doesn't Need Us… Or So We've Been Told. With the rise of technology and the real-time pressures of an online, global economy, humans will have to be very clever – and very careful – not to be left behind by the future. From the perspective of those in charge, human labor is losing its value, and people are becoming a liability. This documentary reveals the real motivation behind the secretive effort to reduce the population and bring resource use into strict, centralized control. Could it be that the biggest threat we face isn't just automation and robots destroying jobs, but the larger sense that humans could become obsolete altogether?

The White Box is coming, the government is on lock-down and their diplomat has vanished. On the ground a single agent races against the clock to find out if they are facing Scenario A or Scenario B - either means the end of the world as we know it but only one is a positive answer for mankind.

Hearts collide when the conniving Jaggan (Prem Chopra) convinces Kishan (Amol Palekar) that his wife, Shanti (Rakhee Gulzar), is having an affair with his brother Shambhu (Rajesh Khanna). Of course, all this is done so that Kishan will marry Jaggan's cousin Tulsi (Rekha) according to Jaggan's master plan … even though Tulsi would much rather marry Shambhu. Confused? Don't worry. So are these weary lovers!