Rong

Six indigenous myths of the Kuikuro, Javaé and Kadiwéu tribes. Amongst the stories: The Emu, The Fish-Boy, The Faceless Women, The Milky Way, The Serpent-Girl and the Vulture-King.

A story of good versus evil revolving around a young woman. When Angela is born to David and Sara they are full of joy but as she grows up, she proves to be more of a curse than a blessing. Angela herself is confused and is only sure of one thing ... she doesn't want the dark powers which she cannot control.

Set in an oppressive future where the government controls the media, Ben Richards volunteers to participate in a deadly game show, which will see him hunted by professional killers over 30 days. Should he survive, he’ll win a cash prize that will help save his sick child and lift his family out of a horrid living situation.

A regiment of soldiers demonstrate their skills.

A mute phantom hero takes on skull-masked killers, a disembodied living hand and a corpse that won't stay in its grave. This is the first in a trilogy of horror/western hybrids that also includes the films La marca de Satanás ("The Mark of Satan") and La cabeza de Pancho Villa ("The Head of Pancho Villa").

Everything you always wanted to know about pornography (but were afraid to ask).

Morgana is a Mexican transgender opera singer with a dream: a sex reassignment surgery. We follow her odyssey all the way to Bangkok as she fights for the identity she has been struggling all her life to construct.

A young man's confusion in present times. The protagonist is looking for answers to questions that are relevant to many of his peers, coming of age in between a nostalgic socialist childhood and ideas pushed by a young democracy, relentlessly rushing forward.

A fresh-faced young detective gets set up, framed for murder, and alibied by a smart blonde.

This movie is an alternative version of the TV series; it is composed of the two 2007 OVAs, edited to improve the pacing of the plot, and an extra segment akin to a TV episode where the cast are given the task of studying flowers. The plot has several differences to the TV series, most important being Sirius's death at the beginning, Apollo's different childhood and the more marked focus on the events of 12000 years ago, particularly Apollonius' death and Reika's previous incarnation's involvement.

The disturbing story of a physician who conducted the first operation with general anaesthetic, and the women in his life who are both so determined to win his love that they volunteer as subjects for his experiments

The Finnish architect Alvar Aalto (1898–1976) is one of the great figures of modern architecture, ranked alongside Gropius, Le Corbusier and Mies van der Rohe. This film analyses Aalto’s uniquely successful resolution of the demands and possibilities created by new technology and construction materials with the need to make his buildings sympathetic both to their users and to their natural surroundings. His inventive use of timber in particular represents both a reference to the forest landscape of Finland and a building material that is ‘warm’ and extremely adaptable. Filmed in Finland, Italy, Germany and the USA, this documentary shows how the Finnish natural environment and art traditions were essential elements in Aalto’s pioneering harmonization of technology and nature.

Unwitting pickup artist Jack Coley (Jack Hogan) nabs a briefcase holding a costly scientific formula, turning himself into a moving target for owner Alan Sheridan (John Baer), foreign agents and the fuzz -- all bent on a blistering game of finders, keepers. In this stylized crime drama, the quarry coolly eludes the pack while eliciting the aid of an unlikely party: blonde beauty Nan Baker (June Kenney), the attaché's original carrier.

Kidnapped by a group of bandits and raped by their chief, Dan Zhu slowly develops feelings for the perpetrator. Echoing the social realism of Taiwanese new wave filmmaking, director Wang Tung revisits the wuxia genre, with the emphasis on psychology rather than action.

The Future Doesn't Need Us… Or So We've Been Told. With the rise of technology and the real-time pressures of an online, global economy, humans will have to be very clever – and very careful – not to be left behind by the future. From the perspective of those in charge, human labor is losing its value, and people are becoming a liability. This documentary reveals the real motivation behind the secretive effort to reduce the population and bring resource use into strict, centralized control. Could it be that the biggest threat we face isn't just automation and robots destroying jobs, but the larger sense that humans could become obsolete altogether?