Ndagukunda déjà

Gertie and her sometimes boyfriend, Sam, are faced with a major life decision only to realize that even when they know what they want, life has other plans.

Elizabeth and Lauren are two Bakersfield housewives who volunteer to help the local police by working with crime victims to help catch criminals.

A 30-something failed businessman moves into his grandpa's house, the defunct WW2 veteran. His quest to live up to his legacy, will redefine both the family hero and himself.

Korzhik, Karamelka and Kompot, together with their parents, they go to rest at a seaside resort, where bright events await them, full of cheerful bustle and meeting new friends.

A man grapples with the trappings of the modern world and refuses to conform to the system, man.

In the middle of Sherman's March, in eastern Georgia, Confederate infantry, cavalry, and artillery make a bold stand against the overwhelming numbers of the Union army as it tears across Georgia.

Once a famed shadow puppet master, Ramlee now lives as a recluse in a Malaysian village terrorised by a man-eating crocodile. The arrival of a young Indonesian woman, Dewi, awakens old demons that refuse to stay hidden.

Four forty-somethings each mired in some sort of mid life malaise reunite their 90's indie rock band.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

DEAD TEENAGER MOVIE is a short-format documentary examining a specific sub-genre of teen slasher films; namely the Dead Teenager Movie - a term coined by movie critic, Roger Ebert. Through the use of interviews with cultural professors, film historians, directors, writers, producers and film critics, and with visual aids from movie clips of several dead teen horror films, the documentary explores the origins of these stories from their beginnings in urban legends to their jump to the big screen in the late 70s to their modern incarnations (like FINAL DESTINATION 3 and its two predecessors). It look sat what clichés and stereotypes define the sub-genre, and how they have developed in cinema over time, particularly finding a home at New Line Cinema.

It is said true friendship never ends, no matter what. The whole story revolves around the married life of three friends. Two of them are dominated by their wives. They are living a dull and no-fun life. One is smart enough to maintain balance in his married life & personal life. He enjoys the company of other girls and leads a life of playboy. He, with a great effort, convinces his friends to believe in his philosophy of married life. This happens to be the start of troubles for his friends and almost break their homes. Out of fear, they try to make him understand the risks involved there in and also, try to stop him. But, he is smart enough to have narrow escapes every time. Meanwhile, his wife faces pregnancy problems and danger to her life. Now, he realizes that he is at fault, feels sorry for his misdeeds and fix up his friend's home. But as Men will be Men, so will be our Kamineys.

When an underground casino run by women recruits a brilliant young business grad, the casino’s biggest rival hatches a murderous plot to stay on top.

In the middle of the night Lea knocks on the door of her brother's flat. Elie, disturbed, wonders what made his sister travel all the way from Lebanon to Belgium. Only in a phone conversation will he learn that his sister is pregnant, and the father of the child is Muslim. Their Christian family refuses to accept this "disgrace", demanding that Elie restore the family honor.

Set in an oppressive future where the government controls the media, Ben Richards volunteers to participate in a deadly game show, which will see him hunted by professional killers over 30 days. Should he survive, he’ll win a cash prize that will help save his sick child and lift his family out of a horrid living situation.