La nube de Magallanes

A young woman of wealthy class rejects the world that surrounds her and dies, but in her wake a shaman resuscitates her. She is dedicated to transgressing all the rules of her society. In the end a strange character offers him a flower and they both love each other.

Fifty years of marriage. Fifty years of love and happiness. Fifty years of lies. When Walter steps on a live land mine in a remote field in England, he finds himself at the mercy of his wife Diane, who has recently unearthed a deadly secret buried in their past. As the tension mounts and truths are unraveled, Walter and Diane's relationship speeds towards an explosive climax.

Paolo is a 22-year-old boy and experiences a constant sense of inadequacy and ineptitude, due to his complex relationship with his mother, unaware of his homosexuality, and to the conflict he has with his hometown, Lanciano. Driven by a great desire for emancipation, he decides not to give up and to interview those who have remained in the province and continue to fight just like him.

Arvind Chauhan and Lakhsmi are in love with each other. Lakhsmi's dad, a senior police inspector, hates Arvind, and so Arvind and Lakshmi decide to elope

"These portraits are encounters I wanted to be kept from oblivion, even if it is only while you are watching them. They are women who work, who have children, and who, at the same time, keep their independence of mind. I shot 24 portraits of 13 minutes each. I have chosen this short running time for several reasons: not becoming a bother, escape tv adds cuts, shoot the movie quickly, in one pace and without too many scratches. I am not a documentaries maker. I am more like a faces, hands and things lover. To show reality is not my goal. “Reality” is just a word, just like its twin sister “fiction”, which I practice as well, but with a different delight." (Alain Cavalier)

Ben and Sarah Ruxpin, two animatronic teddy bears from Seattle, dreamed they’d be together through anything. But is that bright adventure coming to a close? They’ll need to face some challenging truths together if they want a shot at their storybook ending.

A war veteran tells his personal experience in “The War” to a psychiatrist, as a part of a social experiment. But nothing is as it seems…

According to his friend Polo the “Ober-Swiss,” Max is a spineless character who lives strictly according to conventions and is never satisfied with himself or the world. In truth, Max is fictitious – born out of the fantasy of the filmmaker Clemens Klopfenstein, who created him as his alter ego. Max falls in love with the impassioned Christine, but she jilts him within a short time because of his reluctant disposition. He thus takes a decision: to call upon the “master” in the hopes that he can liberate him from the interminably same role. Based on works by Clemens Klopfenstein, the compilation film emerges as a new, self-contained story, while rendering palpable the very essence of the filmmaker.

"The film stars Bone, originally named Basil Catbone, a creature who survived several life threatening events to die at the age of 17. He was one of my mentors and a cherished friend. When this film was shown in Europe many years ago, someone called him the 'Charles Bronson of cats'. Dogs feared him, but with humans he was gentle. [...] A little girl awaits a school bus. A spider awaits its prey. Through it all, Bone, a feline Zen master, walks stolidly ahead, implying, perhaps, that there might be a means to resolve this, and we see him choose to balance himself and move on down the line, walking the path of the middle way." –Abbott Meader

The story of famous actor and director Orson Welles is told through his two visits to the Republic of Ireland; first in his youth as a promising young actor and finally in later years as a washed up icon of the silver screen.

Anolan is a soloist in a string orchestra, lives with her mother and dedicates every minute to his profession; Enmanuel is a peasant resident in the Sierra Maestra who devotes his time to working the land, accompanied by his young son.

A short story about shiftin'.

Suspense Short

"Ürgmees" on Ameerika näitekirjaniku Rob Beckeri kirjutatud ühemeheetendus, mis toob välja, et igas mehes on peidus tundeline ja hooliv ürgmees. "Ürgmehe" näol on tegemist humoorika ja teravmeelse etendusega, mis räägib meeste ja naiste vahelistest suhetest, võrdleb naisi ja mehi ning toob esile juba ürgajal kujunenud instinktid. Ligi kaks tundi kestev näidend seletab, kuidas on naiste ja meeste erinevus loonud eri maailmapildid, kultuuri ja isegi keele ning mis moel põhjustavad need erinevused arusaamatusi ja teineteise mittemõistmist tänapäeval. Peaosalise Jan Uuspõllu sõnul elab igas mehes ürgmees. "Arvatakse, et meestel on tundeid vähem kui naistel, aga tegelikult see nii pole," arvab ta. "Mehed on tundelised, kohusetundlikud ja neil on instinkt hoida oma peret ning lähedasi." Etendus lükkab ümber laialtlevinud arvamuse, et kõik mehed on mühakad, ja õigustab mõlemat sugupoolt. Muuhulgas saab etenduses üsna palju meeste ja naiste kohta teada.

This release contains the celebrated 2006 production of Mozart's Nozze di Figaro that was directed for the stage by Claus Guth at that year's Salzburg Festival. Ildebrando D'Arcangelo takes the title role, and gets support from Anna Netrebko as Sussanna, Bo Skovhus as Il Conte Di Almaviva, and Dorothea Roschmann as La Contessa. Nikolaus Harnoncourt conducts the orchestra.