The Threat

Three women — a young coed, a forty-something single mother, and one a senior-aged widow — meet in the sauna of the local gym, where they gradually get to know one another and bond over their respective trials and tribulations.

In the beginning of the Twentieth Century, in Belo Horizonte, the industrial Sampaio lives in a manor house with his stepdaughter Carmen, who has a sort of engagement with Roberto...

A documentary about Banguela Records, a 90's brazilian rock label.

Gallagher wants to talk to you about style. Yeah, the sweaty guy on roller skates with the one-of-a-kind "bowling ball wearing a hula skirt" hairdo. Might seem like an odd topic coming from the man who uses humor as a blunt instrument (and not just when he's wailing a watermelon with his Sledge-O-Matic), but that's just what you get in this hour-long stand-up piece from 1983. You see, for comedy's prop master extraordinaire, style isn't so much about finesse as it is about flair. Flair he's got in spades, as long as you're willing to call stupid hats and a trampoline disguised as a huge couch flair. The bits travel well-worn paths through mating and parenthood, and the material does often betray its age (the fact that National Enquirer headlines are stupid isn't exactly revolutionary comedy). However, what ultimately makes Gallagher giggle-worthy isn't the material itself, but the zeal with which he swings for the big laugh. Hammer in hand or not, the man's got style.

After missing her bus, Sam has an interaction with a strange old man that ends up meaning a lot more to her.

An awkward teenage boy's dream comes true when he finds a mysterious pair of glasses that turns him into the greatest baseball player his town has ever seen. He quickly learns that winning doesn't mean anything if you can't be proud of how you play the game.

A French satirical comedy that examines society’s obsession with appearance. A man with unconventional looks unexpectedly becomes a public sensation, facing ridicule and admiration. His striking features thrust him into a whirlwind of media sensationalism and superficial relationships. Amid a series of ironic and humorous encounters, he grapples with the burden of being judged solely on his appearance, ultimately questioning the true essence of beauty and personal worth.

Alone and isolated at the family ranch, Tommy and his sister June suddenly find themselves being terrorized and hunted by a pair of nomadic killers.

Set in a surreal backdrop, we see victims' and predators' roles reversed. It shows the world we live in from the perspective of those who are most vulnerable.

Paula is a circus performer married to the alcoholic clown-acrobat Lorio. Lorio's heavy drinking leads to him being severely injured during a performance. This forces Paula and the now-crippled Lorio to become street musicians. This film formerly ran to 81 minutes – regrettably, the second half is considered lost.

"The Rough Riders", has U. S. Marshals Buck Roberts (Buck Jones) and Tim McCall (Tim McCoy) coming to a Texas town to visit their friend, U. S. Marshal Sandy Hopkins (Raymond Hatton), only to learn that he has disappeared, and is suspected of the murder of John Dodge (Jack Daley), owner of practically the whole town, except the hotel Sandy owns and runs when he isn't on an assignment as a Marshal. The murder has been committed by the henchmen of Bart Logan (Harry Woods), who intends to take over the dead man's property and whose men are holding Sandy prisoner to make it appear that he fled after arguing with and killing Dodge. Just before the murder, Logan sent a letter to Dodge with the news that the latter's long-missing wife is returning, and in a short while, Stella (Lois Austin), a Logan accomplice, arrives posing as the missing Ann Dodge, thus establishing her right to the Dodge property. Sandy, allowed to escape, returns ... Written by Les Adams

A happy-go-lucky teenager named AJ and his offbeat friends attempt to have the greatest summer ever.

Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film "The Society of the Spectacle"

Due to a job transfer, three friends move into a town where the bank they work at assigns them by way of living quarters a creepy mansion with a haunted history. One of the friends, Bharat (Bharat Jadhav), is prone to being possessed. The four ghosts enter Bharat's body at will and use him for their own intentions, resulting is hilarious misunderstandings, confusions, and the unfolding of a story of sinister revenge.

In a sector of Madrid inhabited by families of a well-off class, a gang of boys and girls has continuous fun, sleep and drink, while their parents ignore practically everything. However, each of these young people has, to a greater or lesser degree, a problem. The parties and parties enjoyed by a group of young people from the upper class are the basis of the story that explains this film. Among them we find the famous couple, once happy, formed by Carlos Larrañaga and María Luisa Merlo. Directed by Fernando Palacios, and with a script by Rafael J. Salvia and Pedro Masó, " It's always Sunday " has no greater intention than entertainment, despite giving history a certain sociological touch, for that of valuing the behavior of the Youth of the time.

An autobiographical documentary made by a mother who follows the gender transition of her adolescent son: between 2016 and 2019 she interviews him addressing the conflicts, certainties and uncertainties that pervade him in a deep search for his identity. At the same time, the mother, revealed through a firstperson narration and by her voice behind the camera that talks to her son, also goes through a process of transformation required by the situation that life presents her with by breaking old paradigms, facing fears and dismantling prejudices.