The History of Mr. Polly

Dr Eve Lockhart is one of Britain's leading forensic pathologists and runs a state-of-the-art forensic research facility called The Body Farm with her business partner Mike Phillips. Theirs is the only facility in the country using real human body-donors to examine the complex and fascinating journey the body goes through as it decays and returns to the earth.

The Black Knight overwhelms his competitors in a jousting tournament until an operetta-singing Mighty Mouse comes to save the day.

In his Soundstage special, Brian Wilson performs hits from his illustrious award-winning career as a Beach Boy, as well as selections from his new album No Pier Pressure. Joined by friends old and new, this two-disc Blu-ray/DVD combo pack features Brian's Soundstage special plus bonus songs and more!

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

"The Rough Riders", has U. S. Marshals Buck Roberts (Buck Jones) and Tim McCall (Tim McCoy) coming to a Texas town to visit their friend, U. S. Marshal Sandy Hopkins (Raymond Hatton), only to learn that he has disappeared, and is suspected of the murder of John Dodge (Jack Daley), owner of practically the whole town, except the hotel Sandy owns and runs when he isn't on an assignment as a Marshal. The murder has been committed by the henchmen of Bart Logan (Harry Woods), who intends to take over the dead man's property and whose men are holding Sandy prisoner to make it appear that he fled after arguing with and killing Dodge. Just before the murder, Logan sent a letter to Dodge with the news that the latter's long-missing wife is returning, and in a short while, Stella (Lois Austin), a Logan accomplice, arrives posing as the missing Ann Dodge, thus establishing her right to the Dodge property. Sandy, allowed to escape, returns ... Written by Les Adams

Franco de Peña's movie deals with three very different love stories, all taking place on the Avenida Libertador, the main avenue of Caracas.

A Japanese tokusatsu kaiju proof-of-concept short film directed by Takeshi Yagi and written by Yagi, Todd Silverstein, and Jordan A. Y. Smith. It is the end result of a tokusatsu film production course taught by Yagi for the online subscription service Narō. Though only about 6 minutes of footage was cut together and shown at Tokyo Comic Con on November 24, 2022, Yagi and his crew intend to put proceeds from course subscriptions toward getting AKARI made as a feature film or television series. It stars the titular Akari, a woman turned giant with alien technology, fighting off a berserk cybernetic monster.

In this documentary we meet five children in Sweden and see what happened in their lives. Robin was nine years old, but he already knew what a prison looked like and the bad a punishment can do. Frida was not yet born when we filmed her mother Angela in 1983. Her sister Malin lived for several years in a foster family. Bosse was 14 years old and in 9th grade when we met him in 1978. He was the only guy in the class who had glasses. Marie received many postcards and letters from her father, but very rarely met him while she was growing up.

Working completely outside the mainstream, the wildly prolific, visionary Stan Brakhage made more than 350 films over a half century. Challenging all taboos in his exploration of “birth, sex, death, and the search for God,” he has turned his camera on explicit lovemaking, childbirth, even autopsy. Many of his most famous works pursue the nature of vision itself and transcend the act of filming. Some, including the legendary Mothlight, were made without using a camera at all, as he pioneered the art of making images directly on film, by drawing, painting, and scratching.

Due to a job transfer, three friends move into a town where the bank they work at assigns them by way of living quarters a creepy mansion with a haunted history. One of the friends, Bharat (Bharat Jadhav), is prone to being possessed. The four ghosts enter Bharat's body at will and use him for their own intentions, resulting is hilarious misunderstandings, confusions, and the unfolding of a story of sinister revenge.

Logan McQueen is an ex-cop serving a prison term for a bust that had gone awry. During his stint, he learns of a death row inmate that claims he can predict the details of the next violent act of a serial bomber. Once released from prison, Logan tries to find the identity of the bomber and stop him. His best course of action is agreeing to the inmate's request of a reunion with his estranged daughter before he is executed.

A college teen gets possessed by three satanic spirits after retrieving a mysterious odd doll. With the help of her two friends, they must race against time in order of what is something sinister happening to her before time runs out.

This spectacular opera film was taped in 1967 and is based on the 1966 Salzburg Festival production directed by Herbert von Karajan himself, who also conducts the fabulous Vienna Philharmonic Orchestra. The production features the three greatest exponents of their respective roles at the time: Grace Bumbry’s magnificently seductive-toned Carmen, Mirella Freni’s ineffably lovely, touching Micaëla and Jon Vickers’s thrillingly manic-depressive Don José. On its release the film was hailed by Die Presse, (Vienna) as a “unique artistic event”, while Le Monde felt that Karajan’s production brought “a whole new dimension” to the opera, “combined with a magisterial interpretation”. A classical and utterly dramatic approach to probably the world's most beloved opera – Karajan’s Carmen is as much a delicacy for opera fans as it is a perfect starter for newcomers.