The Last Baron

A documentary about the psychological costs of working in Alberta's oil sands and the mental health crisis that's been ignored for a decade.

An intelligent woman keeps falling for the wrong guy. With her latest lover David and a kilo of cocaine in her purse she barely escaped an arrest. Back in Holland she starts a B&B. Her first guest is the attractive Aziz, who wants to steal an old Moroccan mosaic at the International Art Fair.

Michel, the jovial owner of the only café in a small Normandy town, sees his life turned upside down when his teenage daughter is murdered. The community has his back but soon rumor spreads and Michel is singled out. From the ideal father, he becomes the ideal culprit.

People board a leisure ship while porters ship their luggage in the town of Évian-les-Bains.

Mona is nearly overwhelmed by grief and depression. After her father's death, she's cut herself off: leaving teaching - she now temps as an office assistant, ignoring her mother's calls, talking to herself in mirrors, and rejecting any offered intimacy. She's watched over by comic extraterrestrial beings whom we see as cartoon squiggles. They ensure that random acts bring her connections - with a neighbor boy, his mother, and his surreptitious piano teacher (the lad wants to surprise his mom). She also meets an elevator operator in the building where she temps for Ms. Hadaway, a widow with perfect diction. Can Mona take a few steps on the road to expressing emotion?

Inside and outside the well-kept hedges life carries on as usual. The King buys his daily newspaper. Bertil searches the parking lot for dogs to photograph. Hans and Gun-Britt is planting a big, but still too small rock in their garden. Trying to get their minds off it all. As darkness falls over the little village in the woods, the Indians gather for a meeting in the town house as angst, frustration and silent prayer echoes in the night. With visual precision and attention to detail, director Mikel Cee Karlsson captures people and their existence in a small village deep inside the Swedish forest. Over a period of four years, the music video director and former professional skateboarder Mikel has been capturing singular scenes from a part of today’s Sweden where reality inexorably seeps in behind the colourful fasad. With a mixture of playful precision, humour and melancholy he portrays people’s dreams, their relationships and everyday destinies.

With this movie, Aurélien Gerbault invites us to know the portuguese filmmaker Pedro Costa and to witness the process of shooting of his movie Colossal Youth (2006). The nature of Costa's cinema is revealed to us: the criation of an intimate space in the hardness of reality.

An autobiographical documentary made by a mother who follows the gender transition of her adolescent son: between 2016 and 2019 she interviews him addressing the conflicts, certainties and uncertainties that pervade him in a deep search for his identity. At the same time, the mother, revealed through a firstperson narration and by her voice behind the camera that talks to her son, also goes through a process of transformation required by the situation that life presents her with by breaking old paradigms, facing fears and dismantling prejudices.

Madhavi (Aparna) is rich enough to hire anybody. Madhavi hires babu Antony with his friend Zainuddin and two other friends. Madhavi want to get revenge against Soman and Rajan P. Dev, who earlier, arrested, made false evidence, put Madhavi in jail and also tortured her inside the jail for a new cocaine type drug formula.

Set in an oppressive future where the government controls the media, Ben Richards volunteers to participate in a deadly game show, which will see him hunted by professional killers over 30 days. Should he survive, he’ll win a cash prize that will help save his sick child and lift his family out of a horrid living situation.