Metropolitan Opera: Boris Godunov

The film makes fun of the superficial changes in power in their birthplaces. Herbst's painting depicts a society of excited string toys who first march to the strains of the Kaiser's anthem, whose black, white and red flag dominates the swastika, before being incorporated into the colors of a conglomerate of right-wing newspapers. Black, white, red. Three times, the Germans march organized in columns and ranks: under the colors of the Kaiser, the Führer and Axel Springer.

Mostly shot in San Francisco and Northern California, material filmed (using the camera almost as a p[r/a]inter, a means of shaping the visual world as film, but without reflection) in response to what that world was opening in me. "Material!" - analogies between weaving and spinning thread and images already a pattern within film history (e.g., in Deren) is here carried into further ramifications of unraveling and patterning in fabric- and cinema-making, as well as in personal and mythic dimensions. The open unfolding structure, which pulls away from the balanced design of much of my work, gives equal weight to the sound composition. Involves "opening" with its perils and ambiguities.

Carmen is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée.

The practice of Dr. Julien, a GP of Marseilles, consists mainly of drug-addicts. One day, one of his patient dies at his surgery and Julien yields to the temptation : he steals the dead man's money and hides the corpse in a trunk. But the whole thing is discovered and ... misinterpreted. The doctor is condemned for killing the junkie and sent to the Cayenne convict prison, from which he escapes. The Indians give him shelter and he is soon given the opportunity to return their good deed when a yellow fever epidemic strikes their tribe. A young woman helps to fight the disease and, thanks to her, Julien starts considering that a new life is possible for him.

In the early twentieth century, a mysterious ecological crisis nearly wiped out the fish that most people cared about in the largest freshwater ecosystem on earth—the Great Lakes. The impact reverberated across the region, ruining local industries, damaging small town economies and indigenous communities, and destroying the livelihoods of people in the United States and Canada. With little reason for hope, a dedicated group of scientists, policymakers, and conservationists tackled the mystery.

Valerie is a self-confident and modern woman - she commutes between L.A., where she works, and Berlin, where she lives with her partner above the rooftops of the city. When he falls ill and falls into a coma, she wakes up at his bedside. Valerie decides to return to L.A. one last time, burn all her bridges there and move to Berlin for good. She decides to record a video diary for her absence and begins to narrate for her loved one the day before her departure. Intended as simple messages of love, Valerie's memories are suddenly unleashed in the midst of the recordings. Playfully, she loses her shyness in front of the camera, her emotions burst forth and allow her to relive the story of her great love. What began as a game becomes a reckoning with life and love.

José Balmes is the Chilean and Spanish artist who has made his work a renewing testimony of his own history and the society around him.

Arthur is asked to pick up a bird for Thanksgiving dinner, so he brings home a 266-pound chicken named Henrietta. The family welcome her with open arms, but the neighbors are not so sure and then Henrietta escapes.

Mexico does not have the necessary social and governmental support for those who study arts, specifically music. With the help of two saxophonists we enter the life of musicians in Mexico, as well as discover the reason why they decided to study these careers, something that would seem a daring on their part, but perhaps it is what is needed in Mexico

A love story of the 21st century. Hoping for change, Ema runs away from her family and leaves her husband. She hides at the apartment of her hairdresser, a gay guy Tony, even though she barely knows him. At the beginning they are merely two strangers, connected by their mutual effort of escaping from their families. They get closer and help each other to overcome the internal, as well as external, obstacles of their lives. Their liberating friendship almost becomes a love affair, despite the fact it cannot be fulfilled. This liberation creates an intense bond between them: a new escape, a new quest. This is a love story of two people and their attempts to escape the trap of their own desires of belonging to somebody.

With this movie, Aurélien Gerbault invites us to know the portuguese filmmaker Pedro Costa and to witness the process of shooting of his movie Colossal Youth (2006). The nature of Costa's cinema is revealed to us: the criation of an intimate space in the hardness of reality.

Another collection of adventures for Winnie the Pooh and his friends in the Hundred Acre Wood. In this instalment, Roo wonders why the snowman he has built keeps getting smaller, while Piglet is surprised that a cave is talking back to him.

Documentary that outlines the 1990s and the decade the changed the world.

A "support" group of vigilantes band together to seek revenge on those who murdered their loved ones.

In the back room of a gay club in Barcelona, the camera stalks the men (privy to their inner thoughts in voice overs), who stalk each other on a typically busy Saturday night.

Dr Raghav Shastri, a young NASA scientist, returns to India and realises that the entire nation blindly worships God. An atheist, he decides to challenge the existence of the Almighty and tries to shut a temple. But in a twist of fate, Swami Samartha himself descends and questions the non-believer.