Bestials in Celestial Rage

Mesmerized by the image of an active volcano on the other side of the world, a woman sets out to meet her fury. On the way, without being able to return, she finds herself in an extraordinary pregnancy, starting the account of the journey that gives shape to this play-film, a journey between theater and cinema inspired by the narratives of fantastic realism.

In this documentary we meet five children in Sweden and see what happened in their lives. Robin was nine years old, but he already knew what a prison looked like and the bad a punishment can do. Frida was not yet born when we filmed her mother Angela in 1983. Her sister Malin lived for several years in a foster family. Bosse was 14 years old and in 9th grade when we met him in 1978. He was the only guy in the class who had glasses. Marie received many postcards and letters from her father, but very rarely met him while she was growing up.

This film provides a retrospective of 24 hours at the Nova festival in Re'im through the lens of young individuals who endured the horror.

Due to a job transfer, three friends move into a town where the bank they work at assigns them by way of living quarters a creepy mansion with a haunted history. One of the friends, Bharat (Bharat Jadhav), is prone to being possessed. The four ghosts enter Bharat's body at will and use him for their own intentions, resulting is hilarious misunderstandings, confusions, and the unfolding of a story of sinister revenge.

This is an entire burlesque show, complete with a live band. Five strippers strut their stuff in between bawdy songs and sexy jokes delivered by burlesque singers and comedians.

Dakota, a young werewolf, has finally learned to control her nighttime transformations. She desperately wants to live a normal life, and to break free from her curse, she flees to hide in the city. When the pack aggressively hunts her down, the bouncers offer her protection and band together to battle the werewolves who want her dead... and who won't give up their wolf without a vicious fight.

Marty's act is filled with actual events from his life. Everything he says is a true story based on something that either happened to him, his kids, or that he made up entirely. (Do we need to point out that this is sarcasm? Wow, even the parentheticals have sarcasm.)

1. I Feel Free 2. Sunshine of Your Love 3. White Room 4. Crossroads 5. Badge 6. Presence of the Lord - Blind Faith 7. Blues Power 8. After Midnight 9. Let It Rain 10. Bell Bottom Blues - Derek and the Dominos 11. Layla - Derek and the Dominos 12. I Shot the Sheriff 13. Let It Grow 14. Knockin' on Heaven's Door 15. Hello Old Friend 16. Cocaine 17. Wonderful Tonight 18. Promises 19. I Can't Stand It

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

They build myths, light passions, and practically never speak. In this documentary they'll complete with their words, the iconographic world of one of the most legendary cinematographers of all times, Gabriel Figueroa. This film is an immersion into some of the most symbolic and iconic images from Mexican cinematography, along with the commentaries of the greatest directors of photography today.

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The story of Japan’s greatest warrior, Miyamoto Musashi, after his historic duel with Sasaki Kojiro on Ganryu Island.

A little papoose, bent on hunting bear, is stopped by his father, the chief, and told to forget the idea. The papoose responds by shooting a rubber-tipped arrow onto the father's nose, and the chief decides to teach his progeny a good lesson.

In this second film revolving around the character Bølle Bob, the town mayor and Miss Friis, the stuck-up headmistress, plan to raze Lilleby School to the ground. And it¿s up to Bølle Bob, the class clown, to take charge. Aided by the aging rock musician Valde, Bølle Bob and all his friends put on a musical to recruit new students, so their endangered school can survive. But the mayor and Miss Friis soon reach into their bag of dirty tricks.