Mid-Century

A werewolf pursues campers in the Appalachian Mountains. Consumed by its legendary bloodlust, the creature begins the hunt for its oldest and most dangerous prey: Man. Special Agent Jack Driscoll has seen this before. The beast is his obsession and his nightmare. Now, he and his new partner must race against the rising moon to save a group of unsuspecting campers. Outmatched and unarmed, the frightened group must rally themselves to survive the night. As their numbers dwindle and their strength wanes, the group scrambles to answer the only question that will save their lives; how do you kill the unkillable?

A Southern librarian puts excitement in her life with a found murder weapon and a false confession.

After suffering a family tragedy, a widower named Thanh moves his two daughters to a centuries-old ancestral home. Both daughters fall prey to sleep paralysis and night terrors. Their father seeks the help of a local psychologist, but chilling secrets and visions eventually prove that all is not what it seems in the old family house.

Two sisters, aged 5 and 8, hang out alone at home in the middle of the countryside. Elsa, the youngest, swallows three grains of coarse salt. Judith announces to her that she’s doomed to a death by desiccation, and she only has a few hours to live. The mother returns, behaving ardently and feverishly, and turns the family's destiny upside down.

Daffadar is the story Ayyappan, a 65 years old honest, sincere, and compassionate security personnel (Daffadar) of the Collector for over 40 years. Evenafter his retirement he dresses as Daffadar and goes to the Collectorate every day

Incident at Clovelly Cottage, also known as Incident Outside Clovelly Cottage, Barnet, shot by Birt Acres and produced by Acres and his collaborator Robert W. Paul in March 1895, was the "first successful motion picture film made in Britain" Considered lost since only a few frames have survived.

A policeman spots a dog stealing a piece of meat from a butcher's shop, and gives chase. Soon several more policemen have joined the pursuit. But the chase does not turn out as the policemen expect.

NEW SHORES is a sister film to IN THE STONE HOUSE in many ways. Like the latter film, it consists of earlier footage edited in recent years. It could be seen as a sequel to IN THE STONE HOUSE especially since it begins with a cross-country journey to the West Coast, where I settled, and concludes with a visit, in 1987, to the “stone house” in rural New Jersey. Even though there is some sort of time line that can be imagined, the film stands on its own. It is simply a series of episodes that touch upon facets of living in a new area with new weather, new people, new identities and stubborn old fears. The Bolex camera goes to work across landscapes and living areas, workplaces and gatherings. A dance of images: can beauty partner with dread and death? It’s a film of the coexistences that percolate beneath the surface of ordinary events. A film of useless hopes and baseless fears.

Nadia and Peter meet during a time when their respective marriages are falling apart. Peter’s marriage has cooled due to his wife Lenka’s work commitments in Africa, while Nadia’s husband Viktor has found new love. A chance car collision brings them into each other’s lives, triggering unexpected encounters.

This film was inspired by a real event—a young US Marine, recently back from the Gulf War, was found digging a grave for his murdered wife in the middle of the California Mojave.

Three stories intertwine in a realm haunted by a bloodthirsty Beast. The lord of the castle must think about the survival of his people - decimated by the monster - when his daughter is infected with a mysterious disease. In the woods, two brothers share a dark secret, and the time of truth has finally come. A mysterious warrior from afar is on a mission, he is looking for the Beast.

Bandits from Liangshan Mount robbers piles of gold which is a birthday gift for the Prime Minister offered by his son-in-law, a local official.

German sex comedy

Big fire! Strong man, Mug, like rock, with big hands. One day, bad guys take his mug, precious! Mug gets angry. He hunt them in jungle, cross rivers, climb high hills. All he want is mug back. No mug, no happy! Along way, he meet big animals, like lion and giant bear, but Mug not care. He smash them all with his mighty fists! He keep going. Must find mug! The sun go down, but Mug never stop! At end, Mug find bad guys in big cave, hide with his mug. He roar loud, smash rocks, and fight with big stick! Bad guys run away, scared. Mug hold mug high, proud! The people in village cheer, because Mug is hero. Mug laugh, drink from mug, and all happy. He look at mug, smile big. Mug never lose again!

The work of medical staff in the children's sanatorium in Otwock is not easy. The small patients have skeletal tuberculosis and usually are unable to walk.

The film discusses a father's unability to grow his children due to the rreason that their mother is no more. Mukesh's character wants his children to grow up with both love of father amd mother. So, he gives both the childrento his best friend Chadradas(Murali) and his wife Sukanya who have no children. Mukesh's death and its after effects are discussed. Mohini also plays an important role in this film.

A strange animal survives a fire and walks through a burned forest desperately searching for its home. Its nest is in ashes. In the midst of its pain, it discovers moisture in its tears, and embarks on a sensory search for something living to feed.

Hailed as one of Canada's best comedians, Gerry Dee shares his unique brand of comedy through his personal observations as a real ex-bad-teacher, as well as the human challenges we face as parents and families in this modern age.

Presented by award-winning historian Dr Clare Wright (The Einstein Factor), Utopia Girls tells the fascinating, little known story of how Australian women became the first in the world to gain full political rights. Women in the 19th century had virtually no political rights. Once they married they signed over everything to their husbands (including their children). If the marriage turned abusive it was almost impossible to escape. Worse still was the fate of unmarried mothers. Improving the lot of all women could only be achieved through political representation. This representation came about through the vision and hard work of five remarkable women - Caroline Dexter, Henrietta Dugdale, Louisa Lawson, Mary Lee and Vida Goldstein. With their comrades, they would carry the flag over half a century until a newly federated Australia could claim its title as a uniquely democratic nation, but their stories were not without personal trials and crushing setbacks.