Weird But True!

As the New Year approaches, the long-established Luobai Department Store in Haizhou City suddenly experiences a subsidence accident, trapping 13 people underground. This race against time and life brings profound tests of humanity, morality, and faith.

Influenced by her bestie Bella, Aurel (22) becomes a sugar baby to grieving Derry (46). Okan (22) loves Aurel, while Derry develops paternal feelings for her and a real connection with Pinkan (44). The situation explodes with irony: Derry is Okan’s father; Aurel is the daughter of Pinkan and Alvin (45)—Bella’s sugar daddy and Derry’s employee. Shockingly, Bella was instrumental in breaking up Aurel's family. It's a messy web of love, secrets, and unintended consequences.

Guys is a story of the stress and hustle both boys and girls undergo at that tentative age when they're left to figure out love and marriage with how to survive after school. Timo leaves his parent's house to start a life on his own with his girlfriend Diana. They are cohabiting. All is well until he runs out of money as a result of Diana's extravagance. He's failure to manage her lifestyle leads him into regrettable messes.

When the owner of a shabby, soon-to-be-demolished villa in a run-down part of Seoul mysteriously dies, it sets in motion a chain of events that touches many lives. His son Oh Bok-gyu (Shin Ha-kyun), a struggling actor who was previously completely unaware of his inheritance, arrives to take possession of Apartment Number 201, only to find that rumors are swirling everywhere that his father has left a huge fortune of ₩50 billion in gold bars hidden somewhere in the villa — and that his father was murdered. As Bok-gyu navigates his way through the web of mystery surrounding his father's death, he encounters intrusive neighbors, oddball residents, a hardcore gangster and a beautiful girl — any of whom may have their eyes set on his money. When he meets orphaned, lovely Yoon Seo-rin (Lee Bo-young), he thinks that she's the girl of his dreams, but is unsure whether to trust her

Biography of the most famous Russian chansonnier of the twentieth century. The story of the artist who left Russia in 1919 and returned to the USSR in 1943, in the midst of World War II. Vertinsky lived, sang and was popular in Constantinople, Paris, Berlin, New York, Los Angeles, Harbin, Shanghai and Moscow. He was loved by beautiful women, he was applauded by royalty and thieves. He was a bohemian man, light and cheerful. However, this picture is primarily about his kindness. About the ability not to judge, but to regret, to sympathize with anyone. And for this, fate gifted him with great success and late family happiness. This is a story about how a songbird, an artist, a frivolous creature can live a life that causes both envy and respect.

Albert and Victoria is a British sitcom that aired on ITV from 1970 to 1971. Starring Alfred Marks, it was written by Reuben Ship. It was made for the ITV network by Yorkshire Television. In Albert and Victoria, Marks plays Albert Hackett, a middle-class man in late 19th century England. He and his wife, Victoria, have nine children, and he is used to getting his own way.

Mana Endo (Yuki Sakurai) is an OL and she is about to turn 30-years-old. She has enjoyed posting about herself on social media, but she has grown tired of that. One day, Mana Endo happens to see underground idol Hana Kurimoto (Sei Shiraishi) perform live. Mana Endo is touched by her, who is not good at performing, but eager at what she is doing.

Women of the Tang Dynasty is an upcoming Chinese television series based on events in the Tang Dynasty starting from the late reign of Wu Zetian to Emperor Xuanzong's accession to the throne. The series was produced by Lafeng Entertainment, directed by Chang Hsiao-cheng, and starred an ensemble cast from various regions. Filming for the series started in October 2011 in Hengdian World Studios.

Floor Faber (27) lives with her cat in the center of Amsterdam. She has a boring job at an insurance company, but one day she'll have a successful career. And find true love, as she would make a great mom, some time later. But first she has to find out what to do with her life, and that is not as easy as it seems.

Darika is the granddaughter of a funeral director. She is a strong hearted and independent young woman who seeks money as her main refuge. Fate just so happens to have her stumbling head over heels when she meets Prajan, a successful man of perfect background and qualities. We find ourselves here again as we return for part two of Dao Kien Duen.

The biggest TV adventure begins! Eighteen brave Czechs fight for two and a half million Czech crowns on the deserted island and the title of the first Czech Robinson. Their hunger, exhaustion, mutual rivalry and cruel nature are in their way.

Es muss nicht immer Kaviar sein is a TV adaption of a novel of the same name by Austrian author Johannes Mario Simmel. Directed by Thomas Engel Siegfried Rauch walks in the footsteps of O. W. Fischer who played the protagonist "Thomas Lieven" already in 1961, just one year after the bestseller had been released. The series is unique for providing a little cooking show at the end of each episode. The book also includes recipes because "Thomas Lieven" is an accomplished amateur cook.

This variety series from writer, comedian and internet sensation, Ziwe is a no-holds-barred mix of musical numbers, interviews and sketches that challenge America’s discomfort with race, politics, & other cultural issues.

Hiroshi, Takeru, and Tetsuo all live in the same city. Hiroshi is an unpopular idol singer and he feels a void in his life. He is placed under confinement by his fan Masako. Takeru believes that a girl returns to consciousness. Tetsuo decides to take revenge on a yakuza who sent him to prison.

In a world filled with provocative (and often misleading) news, a passionate team of investigative TV reporters strives to bring truths to light.

Each of the four separate episodes -rather independent chapters- presents some of the findings of Egyptology, largely in the form of realistically presented docudrama, a splendid spectacle by peplum-standards, yet unusually true and hence surprising for non-specialist viewers in various details. Remarkable is the revealed contrast between the image-building clichés presented by the official, mostly monumental sources, glorifying deified pharaohs' glorious reign and triumphs and 'celestial' deities, and the more mundane reality, deduced largely from other archaeological findings, showing more human vices, misery, crime