Hvorfor stjæler barnet?

SUMMARY:- A girl wakes up early in the morning to witness an immense Pain in her groin area & discovers blood on the bedsheet which makes her very uncomfortable to face her father. The next series of events lead her to understand whether she can speak about it or not, moreover, an important incident is highlighted between the use of face mask and sanitary pads as both are used for protection purposes. In this, her father get involved consciously and maintains stability and at the same time respecting her daughter's emotion in order to make her understand about the scenario, makes it even more effective love & affection for the father-daughter duo in facing each other and also towards the society.

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

In celebration of Asian Heritage Month, HBO presents a collection of perspectives from a diverse group of Asian Americans.

Four elementary school students talk about their daily life on a pedicab. Then, they realize that today is Mother's Day.

Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.

Ski exercises.

"A film portrait cut to the tune of Conway Twitty's version of 'Mona Lisa.' Filmed in part at a 1964 show of Conner's artwork in San Francisco, the film is also a witty statement about forces that take the life out of art. Vivian Kurz, the subject of the film, is entombed in a glass display case." - Judd Chesler Award: Gold Medal Award, Sesta Biennale D'Arte Republica Di San Marino. Da Vinci thought he caught her smiling.

Written and Directed by Elijah Jefferson

Filmed record of a burlesque show, featuring Tempest Storm in a Technicolor segment.

A handful of young geologists are unlucky enough to be forced to stay at a rundown hotel in the middle of nowhere. What they don't know is that the hotel has been abandoned for twenty years because the owner of the hotel had killed his family and all the guests two decades ago. Strange things begin to happen, and suddenly murders are committed...

An advertising agency has to pitch a marketing concept to an optician's consortium, represented by the manager who is the first to see the campaign. The logo submitted is examined from every angle: it must simultaneously express both the company's dynamism and its reliability. A fascinating, dispassionate glimpse behind closed doors, where every detail is dramatized to win that lucrative contract.

La marche des machines is a thundering, thumping symphony of turbines, belts, flanges, wheels and sparks.

A painter's life is changed forever when a mythical and deadly spirit from Celtic lore becomes his muse and lover.

An ordinary man, while vigorously asserting the impossibility of miracles, suddenly discovers that he can perform them.

Sherif el-Azma’s 52-minute video consists of improvised scenarios involving a cadre of stewardesses for a third-world airline. The first part of the video follows them through their training: the young women interrogate one another in varying tempo, learning how to be friendly yet reveal nothing about themselves. In the second part, two of the stewardesses work the first-class cabin of a turbulent flight. As the flight wears on, the refreshments run out, the real lapses into the fantastic and the stewardesses drift into strange and terrifying new spaces. The video’s evocative imagery—an older stewardess and her protégé walking in high heels through a desert—is at once comic and tragic and just slick enough to be uncanny. The simple sets are a deadpan foil for the absurd events that unfold within them. Samuel Beckett’s dramatic work comes immediately to mind.