Big Girls Are Sexy 2

Ann Dexter, daughter of an itinerant Haiti waterfront character, Carl Dexter, brings a golden idol, which her father her stolen at a voodoo ceremony, to Bill Buchanan, who is known along the waterfront as a man eternally on a treasure hunt. He agrees to let Ann accompany him in search of the treasure after a native he befriended gives him directions and certain voodoo secret charms. They follow an underwater passage to an island where they find a Pagan tribe. They learn that the golden idol is a burial symbol representing the dead and that hundreds of idols are at the bottom of the sacred burial lake.

A portrait of teen escort, 'Coco'.

A private detective goes after the people who murdered his girlfriend.

Mexican feature film

Milly Cohen lives in modest circumstances with her grandmother Cathy and her little brother Kevin. After the death of her parents, she gave up her art studies and works for the antiques dealer Philip Barnes, a handsome but uncouth bachelor. Philip only realizes that Milly has become the pearl of the store when she quits - due to her boss's unfriendliness and her brother's serious illness. Philip doesn't get on well with the new assistants. He realizes that he has fallen in love with Milly. When he tries to win her back, Milly has already accepted her old boyfriend's proposal of marriage.

Directed by Sangeeta.

Borrowing its title from a treatise by Aristotle, the latest film by Makino Takashi is an abstract work that finds its drive in the clash between light and darkness. Entirely composed of superimposed images of Tokyo’s landscape and water sites, the film takes its rhythm from the cycles of repetition that are the pillars of life and civilisation. As light emerges from the chaos, Jim O’Rourke’s ambient drone sets the tone for what is to come.

Feature length documentary about the making of the film featuring interviews with producer Michael Bay, director Marcus Nispel, executive producers Brad Fuller and Andrew Form, screenwriter Scott Kosar, and the cast and crew.

Observational short film made during a barbecue

Starting from the Swiss village of Zermatt, two people and a guide make a perilous ascent of the Matterhorn. Local villagers mount a torchlight rescue of a British couple trapped on the famous mountain. Irving Allen shot footage for this documentary while filming his feature film 'High Conquest'. Filmed in Ansocolor, the documentary won the Academy Award for Best Short Film in 1947.

Saverio Sallesi, a past as a boxer without too much success, is grappling with a difficult situation. Some small precedents with the law, he has to deal with unemployment and failed loans from banks. Even from a sentimental point of view, things are not going well and he is unable to build a serious relationship with any of the women he frequents. One day he robs a bank and during the escape decides to hide in the apartment of Micol, a prostitute.

Mono Lake is a document of a unique natural environment, a "home movie" of the artists' 1968 road trip, and an intimate view of three seminal figures in the earth art movement as they interact with the Western landscapes that are so central to their work.

A poor Nigerian woman named Maami protects her young son, Kashimawo, from his father who carries a terrible secret.

To claim a huge inheritance, two estranged brothers must travel to the wilds of Scotland in an old camper van to spread their father’s ashes. James and John haven’t spoken in ten years; John is now a thrusting executive with a wandering eye, James, a lonely, socially maladjusted, alcoholic. It’s only the sudden death of the father who rejected them as children, that draws them back together. Their father’s letters and the people they meet, start to heal old wounds, helping them come to terms with the pains of both past and present, but there is a secret waiting five hundred miles north in the highlands that could shatter them forever.

A truck driver falls in love with the woman he nearly hit.

Fog has a curious effect on cinema. On the one hand, it precludes the production of those images that seem artificial, on account of their sharpness. On the other, the mist gives each frame a mysteriously narrative quality. The joy of watching the sea and the beach under a blanket of mist allows eluding the world of the quotidian, to suspect the beauty of the uncertain and unstable