Ghosts Don't Exist

A crew of Martians overhears a radio broadcast of Orson Welles' "War of the Worlds" coming from Earth, and, thinking the Martian fleet is attacking Earth, they land their broken-down ship in a backwater mid-American town. As luck would have it, they land on Halloween and get mistaken for trick-or-treaters. Comedy ensues as the Martians try to get taken seriously.

After being fired, Marcella, a gentle hearted mother going through separation, buys a tow truck; she gets trapped deeper and deeper in a cynical and aggressive world until a terrible opportunity shines in front of her.

Karla invites Katrine to spend the holidays with her, hoping they might become best friends. As it turns out, nothing goes as planned. Karla meets Jonas and falls in love for the first time, and she nearly forgets all about Katrine. However, the two girls are forced to put their difficulties aside for a while, as they join Jonas in exposing a local gang of thieves.

Hamaguchi wrote and directed this film as a graduation project for the students at ENBU Seminar (film and theater school in Tokyo) when he taught there. It is a three-part film: The first part is a documentary-style production of a play; Then the actual full stage production of the play; and the epilogue. Poetry and written words play the central role in the movie.

John Vincent is a cop on a quest for vengeance. After finding his wife murdered in his own home, he decides to dispense justice on the murderous psycho's who have destroyed his life. Armed with only a crowbar and his wits, John takes to the city streets and takes out the insane maniacs only to find there's something worse out there.

After being introduced to the world of opera, a fisherman (Jan Kiepura) falls for a woman (Swarthout) whose guardian is a noted composer (Philip Merivale). They met when the fisherman evaded the police by seeking refuge in the village church. While there, they are each captivated by hearing the other singing Mass. The beautiful woman falls in love with the fisherman with the wonderful voice.

Mexico does not have the necessary social and governmental support for those who study arts, specifically music. With the help of two saxophonists we enter the life of musicians in Mexico, as well as discover the reason why they decided to study these careers, something that would seem a daring on their part, but perhaps it is what is needed in Mexico

Mexican band Cafe Tacuba celebrates 15 years of making--and often revolutionizing--Spanish rock with Un Viaje. This lush, luxurious live set includes three discs of music and one electrifying DVD. The group has culled the best moments from a two-night stand in Oct. 2004 at the Palacio de los Deportes in Mexico City, and the results are consistently electric. Every song, every rhythm, every guitar lick, every laugh is important, a not-to-be-missed moment. Cafe Tacuba's potent mix of music and message is a powerful thing, and the group thrives in its unflinchingly earnest, sweetly sincere approach to its art. Even during backstage interviews and recording studio hijinks, each member seems wholly pleased to be a part of the process. Throughout the proceedings, Cafe Tacuba's ardent fans thank them with hoots, hollers and constant singalongs to almost every song, making Un Viaje a joyous trip for everyone involved.

The strict quarantine in the spring of 2020 reduced the living space of hundreds of millions of people down to just a few square meters. The horizon was limited to the view from the window, boredom permeated the days, and an endless stream of catastrophic rumors emanated from the radio and television. Against the backdrop of his own mental and physical discomfort, the director begins to shoot a video diary. The similarly non-existent static camera records existential monologues as well as activities serving basic bodily needs. This philosophical essay is woven from reflections on the coming transformation of the world and the images that try to capture it.

Stand up comedy by Martin Lawrence, filmed in the Majestic Theater in New York City. Martin Lawrence talks about everything from racism, to relationships, to his childhood.

On Saturday, April 26, spring came to Sweden. That same day, Chernobyl nuclear power plant exploded. Bringing mild winds to Scandinavia. Sweden suffered heavily of radioactive poison.

A frightening creature from unknown depths rises to attack a lone teenager.

Cardiac arrest is no joke – or is it? Cardiac arrest can strike any time. What's to do? Even a simple-minded tapir can learn the basic rules. And so can you! Guided by a surprisingly human computer-generated voice, this explainer video shows how easy it is to save a life.

A Kuwaiti comedy play starring Dawood Hussain & Intesar Al Sharrah.

Mostly shot in San Francisco and Northern California, material filmed (using the camera almost as a p[r/a]inter, a means of shaping the visual world as film, but without reflection) in response to what that world was opening in me. "Material!" - analogies between weaving and spinning thread and images already a pattern within film history (e.g., in Deren) is here carried into further ramifications of unraveling and patterning in fabric- and cinema-making, as well as in personal and mythic dimensions. The open unfolding structure, which pulls away from the balanced design of much of my work, gives equal weight to the sound composition. Involves "opening" with its perils and ambiguities.